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Miniature Paintings in India

Last Updated : 21 Jan, 2024
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Miniature Paintings refer to fine-looking and handcrafted forms of artwork. These paintings exhibit a bright colorful look and are usually small in size. The individual identity of these paintings is provided by the delicate and elaborate brushwork and the colors used in miniatures are handmade from sources of pure silver, gold, plants, minerals, valuable stones, conch shells as well as indigo. The article explores Miniature Paintings in India.

Traditions of Miniatures

The Tradition of Miniatures

History of Miniature Paintings in India

Miniature is derived from a Latin word that means “minimum”, which was a red led paint and was used in illuminated manuscripts during the Renaissance period. Miniature Paintings in India has a long tradition of production of miniature paintings and many different schools have developed differences in the composition as well as the perspective of these miniatures, which are usually small and well-detailed.

The first proper development of Indian miniature paintings started in the 17th century in the Western Himalayas. Mural paintings came to be developed in the second quarter of the 18th century. In Mughal Era, the Hindu rajas of Rajasthan as well as the Muslim kings of Deccan and Malwa fostered the growth of miniature paintings, and the Persian traditions brought to effect to miniature paintings in India.

Features of Miniature Paintings in India

The main features of miniature paintings in India are as follows:

  1. Miniatures are hand-made paintings and are vibrant and small in size. They have complicated and very delicate brushwork which gives the paintings individual identity.
  2. Gold, silver, minerals, and plants are some sources from which these paintings are made.
  3. The paintings should be no more than 25 square inches in size.
  4. The subject should be portrayed at 1/6th of its real size and human figures are depicted with side profiles. 
  5. The color of the subjects in Rajasthani paintings is darker than in the mughal paintings.

Early Miniature

The early miniatures were mostly painted in perishable sources like paper, palm leaves, and fabrics. Miniature arts emerged between the 8th- 12th centuries. In both the western and eastern parts of the country, they came to flourish. There are two very famous schools of miniatures: Pala School of Art and Apabhramsa School of Art.

Pala School of Art

The original Indian smaller-than-usual canvases are associated with the Cuchara School, which dates back to the 8th century, This style of painting emphasized the iconic use of variations, and the specific topics were frequently derived from Buddhist tantric traditions. Images of Buddha and other divinities were depicted on palm leaves and were frequently displayed in Buddhist spiritual communities such as Nalanda. 

These are smaller than ordinary works of art drawn from a variety of disciplines from all over. In this manner, the inventive expression expanded throughout South-East Asia, and the Cuchara style of canvases quickly became popular in areas such as Sri Lanka, Tibet, and so on. Aside from the tonefald on emblematic usage of varieties, other distinguishing features of the Pala School include the ability as well as smooth utilization of outlines and displaying constructions by sensitive as well as an expressive variety associated with tension, use of typical tones, and so on.

Apabhramsa School of Art

The Apabhramsa School of Art can be traced to Gujarat and Mewar region of Rajasthan, between the 11th-15th centuries, and is one of the most popular styles in western India. Initially, it has more Jainism influence and later Vaishnava school was also adopted. It included the concepts of Gita Govinda and her love for artwork. Initially, in the Jain period, the art was done on palm leaves and later on paper. They were mostly mural paintings on a smaller scale and the colors which were mostly included were red, yellow, ochre, and golden and bright colors in th final stages.

Orissa School of Art

During the seventeenth century, the Orissa College of less space-consuming than expected works of art arose. Despite the fact that the use of paper was limitless in India during the 17th century, Orissa College of modest functions of Art followed tradition by continuing to exhibit this unstable artwork using hand passes. The majority of the works of art depicted the love tales of Radha and Krishna, as well as accounts from ‘Krishna Leela’ and ‘Gita Govinda.’ These canvases had a wide range and frequently depicted the vast landscapes of India’s distant eastern parts. The strokes used were both stunning and frequently emotive.

Jain School of Art

The Jain School of Painting rose to prominence in the 11th century A. M, when stringent text messages such as the ‘Kalpa Sutra’ and ‘Kalkacharya Katha’ were represented in little artworks. The interpretation of expanded eyes, square-shaped palms, and the representation of snappy figures are some of the high-level characteristics of these canvases. Furthermore, the colors used were typically passionate, with green, reddish, gold, and azure being the most commonly used. Male characters, as well as goddesses of the Tirthankara, were regularly depicted in the artworks. Furthermore, the goddesses displayed in the functions of art were usually strongly adorned. During the late sixteenth century, these works began to diminish.

Delhi Sultanate Miniature Art

The Delhi Sultanate Miniature Art was a combination of Persian motifs from ancestors with certain Indian traditional components. Nimatnama which was written under the reign of Nasir Shah, is the best example of a blend between indigenous and Persian art. A style known as Lodi Khuladar was popular and in practice during the Sultanate period in Delhi and Jaunpur.

Mughal School of Art

Interior the reign of the Mughals (16th and eighteenth centuries AD), craft blossomed in India, understanding a booming cycle while in the realm of Indian skill. The Mughal way of life was an activity of religion, culture, and even custom. Local Native American craftsmanship was put together with Persian variants to create highly beautiful art.

Images depicting castle lifestyles, along with other triumphs of sovereignty, evolved into an obvious aspect under Emperor Akbar. The rule of Chief Jahangir found after him elevated refinement and also appeal in vogue simply because of the display of many aspects of mother earth. In a later period, European formula approaches, such as camouflage and sides of view, were definitely also contained in these kinds of paintings. Some important painters in the reigns of various Mughal rulers are:

Mughal Ruler Artists
Babur Bihzad
Humayun Abdus Samad, Mir Sayyid Ali
Akbar Daswant, Basawan and Kesu
Jahangir Ustad Mansoor

Rajasthani School of Art

During Aurangzeb’s reign, a good number of skilled artisans in the Mughal Little Artwork were placed inside more aristocratic processes in law. As a result, in the seventeenth and 18th centuries, Rajputs produced revolutionary Rajasthan smaller than regular fabric.

Rajasthani Miniatures revolved around the charming tales of Adept Krishna, as effective as the imaginary literature of Ramayana and Mahabharata. What you previously produced, realizing that arrangement and types with the partitioning in Havelis and Retrieves. Many precise language schools in Rajasthani were highly established, which included schools in Malwa, and Bundi Kota.

Pahari School of Art

Another style that emerged with the help of the Rajputs was the Pahari style, which flourished in the mountains between Jammu and Himachal Pradesh. Typically, the Pahari school was created as a result of Mughal scaled-down craftsmanship and even Vaishnavite legends.

There are many Pahari skill educational institutions – the strong Basohli craftsmanship with its use of monochromatic tones and multi-floor constructions, the sensitive Kangra fashion with its musical interpretation of naturalism and Srinagar,’ and distinct schools like Guler and Kullu-Mandi.

Deccan School of Art

The Deccani fashion refers to a smaller-than-usual skillfulness style that seems to be practiced in Bijapur, Ahmednagar, Golkonda, and possibly Hyderabad from around the sixteenth and eighteenth centuries. First and foremost, this particular design was free of Mughal influences. It was an artistic term, a new phase of Islamic canvas combining Euro, Iranian, and European influences. Compositions during this period revolved around the text term conseillé and enhancements to the Holy Quran and the Surahs. Following then, additional local fine arts, honest characteristics, and Mughal workmanship were included in the artistic term.

South Indian School of Art

Throughout the early medieval, miniature paintings were well-established in the medieval period. Due to various geographical conditions, the miniatures differed in northern India and these paintings contained lots of gold. Two important schools are Tanjore Painting and Mysore Paintings.

Importance of Miniature Paintings in India

The importance of miniature paintings in India includes:

  1. Miniatures are a representation of India’s past and help in the preservation of history and culture.
  2. It helps in the development of the economy by attracting tourists from throughout the world and miniature paintings are sold in the market for good prices.

Conclusion

Paintings in miniature scale are exquisitely crafted works of art. These paintings are tiny, but they are vibrant and colourful. The best aspect of these paintings is the intricate and delicate brushwork that gives them their unique identity. Hand-made colors are used to create miniatures. The most frequent sources are pure gold, silver, minerals, plants, precious stones, indigo, and conch shells. A prominent motif in Indian miniature paintings is the raga. The nation had a number of miniature painting schools, including Deccan, Rajput, and Mughal ones.

Related Links

  1. National Languages of India
  2. Short note on Nalanda University

FAQs on Miniature Paintings in India

Q 1. Who introduced miniature paintings to India?

Answer-

Indian miniature paintings are credited to their invention by the Palas of Bengal. 

Q 2. What is miniature painting?

Answer-

Miniature paintings refer to small pieces of some coloful handmade work of art which is done on leaves or pieces of clothes.

Q 3. What are examples of miniature paintings?

Answer-

 The examples of miniature paintings

  1. Persian Miniatures
  2. Mughal Miniatures
  3. Rajput Miniatures
  4. Western European Miniatures
  5. Chinese Miniatures
  6. Japanese Miniatures

and many more. 

Q 4. What are miniature paintings based on?

Answer-

Miniature paintings in India are based on religious and mythological themes and include landscapes as well.



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